A young West Berlin couple peer over the Wall as the woman speaks to her mother in East Berlin (1960s)
Pop art looks out into the world. It doesn’t look like a painting of something, it looks like the thing itself. Roy Lichtensteinn
Masculin féminin (1966), dir. Jean-Luc Godard
In conjunction with his upcoming retrospective, Christopher Williams has curated a program of experimental films from MoMA’s collection with screenings organized around themes like “tenderness” and “choreography.”
[Au Hasard Balthazar (Balthazar). 1966. France/Sweden. Directed by Robert Bresson.]
Le Feu Follet, 1963, Louis Malle.